We have moved into an apartment in Dejvice quarter with a balcony overlooking the inner courtyard. I look at it every day and it makes me feel anxious. It is desolate, parcelled out, dead. “If you live next to something dead, there’s something dead inside you as well,” one of my neighbours said.

The film follows my attempt to tear down the fences and connect the area into a single space. Besides material barriers, inner blocks are revealed as well; the hidden mechanisms of fear of my neighbours (including myself) that play a crucial role in today’s isolationism. Besides a record of a particular action, the film is also a reflection on what is normal in today’s neighbourly relations as well as in close relations among people in general.

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Love sorry


When I was 14 years old, my mother wrote a book about a boy that unexpectedly survived a hard disease. It was my boyfriend and I got into the book as well. Parallelly with the book, our love story became a main topic of a TV Nova show called “With one’s own eyes”. I was »